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On March 12, 1964, Café La MaMa was officially renamed La MaMa Experimental Theatre Club (La MaMa E.T.C). The "passing of the hat" ended with this transition from café to a members-only club. [5] Even operating as a club, this space was often visited by civic authorities, frequently interrupting performances.
Great Jones Repertory was founded in 1972 by Elizabeth Swados, Andrei Șerban, and La MaMa founder and artistic director Ellen Stewart. Beginning with Fragments of a Greek Trilogy in 1972, Great Jones has most notably performed a number of Obie Award-winning experimental theatre works based in Greek tragedy .
Ellen Stewart was born in either Chicago, Illinois or Alexandria, Louisiana. [4] This uncertainty stems from Stewart's reticence to reveal details of her early life. As an observer wrote, "Her history is somewhat difficult to sort out—indeed it takes on a legendary quality—since on different occasions she gives different versions of the same stories."
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In late 1971, Geiogamah formed a theater company at La MaMa Experimental Theatre Club in New York City's East Village.La MaMa was the first all-Native repertory theater company in the country and changed its name to the Native American Theatre Ensemble in 1973 because "too many non-Indians who approached us during [our] tours [and] after performances … seemed unable to understand that we ...
The first play performed at La Mama was a work by a new Australian writer Jack Hibberd, entitled Three Old Friends (1967), whose most successful play Dimboola opened there in 1969. The production of Australian works at La Mama soon became a staple, and within the first two years of its life twenty-five new Australian plays had premiered there.
The Trinity/La MaMa Performing Arts Program is a fall semester study away program of Trinity College [1] based at the La MaMa Experimental Theatre Club [2] in New York City.The program is part of the Trinity College Office of Study Away, with students from various other liberal arts colleges enrolled in the program every year.