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Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.
Marcus L. Rowland reviewed After the Bomb for White Dwarf #79, and stated that "It's all good fun, if you can accept the basic premises involved, but seems a little limited; I find the present-day setting of the original game more satisfactory, since it offers more opportunities for plot development and diversity."
Post-apocalyptic fiction is set in a world or civilization that has been ravaged by nuclear war, plague, or some other general disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten or mythologized.
Imagination magazine cover, depicting an atomic explosion, dated March 1954. The apocalypse event may be climatic, such as runaway climate change; natural, such as an impact event; man made, such as nuclear holocaust; medical, such as a plague or virus, whether natural or man-made; religious, such as the Rapture or Great Tribulation; or imaginative, such as zombie apocalypse or alien invasion.
Dies the Fire is a 2004 alternate history and post-apocalyptic novel by Canadian-American writer S. M. Stirling. [1] It is the first installment of the Emberverse series and is a spin-off from S. M. Stirling's Nantucket series in which the Massachusetts island of Nantucket is thrown back in time from March 17, 1998, to the Bronze Age.
Farnham's Freehold is a post-apocalyptic tale. The setup for the story is a direct hit by a nuclear weapon , catapulting a nuclear shelter containing Farnham, his wife, son, daughter, daughter's friend, and employee into the future.
He then returns himself to cryogenic suspension so they'll be adults by the time that he and the others awaken. Michael explores the post-apocalypse world, finding tribes of cannibals surrounding a pre-war fallout shelter where the occupants rigorously maintain a limited population, sending excess workers outside to die.
The Peshawar Lancers by S.M. Stirling is set in a post-apocalyptic future in which a meteor shower in 1878 caused the collapse of industrialized civilization. The movie 9 (which might be better classified as "stitchpunk" but was largely influenced by steampunk) [108] is also set in a post-apocalyptic world after a self-aware war machine ran amok.