Search results
Results from the WOW.Com Content Network
Drums and Wires is the third studio album by the English rock band XTC, released 17 August 1979 on Virgin Records. It is a more pop -orientated affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums.
It sounded great, so we started writing a little duet for the E-bowed acoustic guitar [a Gibson J-200] and a keyboard. We never finished the piece, but Jon Carin [keyboardist] decided to sample the E-bowed guitar part. We kept the sample and ended up using it as a loop on "Take It Back", and again on "Keep Talking". —
Keep Talking (game show) This page is a redirect. The following categories are used to track and monitor this redirect: From a page move: This is a redirect from a ...
"Keep Talking" is a song by Australian singer-songwriter and winner of season 7 of The X Factor Australia Cyrus Villanueva. It was released digitally and on CD single on 12 February 2016. The song debuted at number 44 on the ARIA Singles Chart. The music video was released on 11 February 2016. [1]
People Keep Talking is the debut studio album by American hip hop recording artist Hoodie Allen. It was announced on August 19 with a pre-order date of August 25 and a release date of October 14, 2014.
Keep Talking is an American game show broadcast on CBS and ABC from the summer of 1958 to the spring of 1960. The show was hosted by Monty Hall , Carl Reiner and Merv Griffin . Production
154 is the third album by the English post-punk band Wire, released in 1979 on EMI imprint Harvest Records in the UK and Europe and Warner Bros. Records in America. Branching out even further from the minimalist punk rock style of their earlier work, 154 is considered a progression of the sounds displayed on Wire's previous album Chairs Missing, with the group experimenting with slower tempos ...
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records.It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.