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More than one line expanded is sasol sijo and usually, the last line maintains the original structure of the last line in pyeong sijo and begins with a 3-syllable unit. Not having a fixed limit to the length of the sasol sijo meant that it is the content that directs the form and not the form that directs the content. [ 33 ]
The heart symbol is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion , including affection and love , especially romantic love .
An idiom is a phrase or expression that largely or exclusively carries a figurative or non-literal meaning, rather than making any literal sense. Categorized as formulaic language , an idiomatic expression's meaning is different from the literal meanings of each word inside it. [ 1 ]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
The count sense of the word idiom, referring to a saying with a figurative meaning, is related to the present sense of the word by the arbitrariness and peculiarity aspects; the idiom "she is pulling my leg" (meaning "she is humorously misleading me") is idiomatic because it belongs, by convention, to the language, whether or not anyone can ...
An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and".
Anand's book was generally well received. Canadian book reviewer Barb Minett writes in Bookshelf, "Its strange beauty embodies human frailties and resilience." [4] Andreae Callanan in Canadian Notes and Queries commented, "This Red Line Goes Straight to Your Heart is intimate, elegant, and audacious in its fundamental question of where our stories begin and end."