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The Model B was sold in several special versions with different colors for the Boy Scouts, Boy Scouts of America, Camp Fire Girls, Girl Guides, and Girl Scouts of the USA; [5]: 144, 152, 157 the Model B also was the basis for the Kodak Petite (1929–33), [5]: 164 Vest Pocket Hawk-Eye, and Rainbow Hawk-Eye.
An entry-level Pocket Instamatic 10 was launched by 1973, with a fixed-focus 25 mm f /11 lens and operation similar to the 20. [18] Kodak Tele-Instamatic 608. By 1977, the initial lineup had been replaced by the Trimlite Instamatic and Tele-Instamatic lines for the United States. The Trimlite Instamatic 48 was a rebadged Pocket Instamatic 60 ...
Kodak Instamatic X-15 with open door and loaded 126 film cartridge. The film was originally available in 12 and 20 image lengths; at the time regular production stopped it was only available in 24 exposure cartridges. The exposed film is stored on the take-up spool and does not need to be rewound, making the cameras very simple to load and unload.
In 1927, the Kodak list prices for Ciné-Kodak ranged from US$225 (equivalent to $3,950 in 2023) for the Model A with f /1.9 lens and tripod to US$75 (equivalent to $1,320 in 2023) for the Model B with f /6.5 lens. [6]: 22 Production of Model A ceased in 1930; the Model B in 1931. Ciné-Kodak Model K; open viewfinder alongside handle
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
The Brownie was a series of camera models made by Eastman Kodak and first released in 1900. [1]It introduced the snapshot to the masses by addressing the cost factor which had meant that amateur photography remained beyond the means of many people; [2] the Pocket Kodak, for example, would cost most families in Britain nearly a whole month's wages.
Kenneth Grange's Kodak Instamatic camera (c. 1963) After retiring from Pentagram in 1997, Grange continued to work independently. This work included door handles for izé, [14] desk and floor lamps for Anglepoise, [15] and a chair for the elderly for Hitch Mylius. [16] From 2005, Grange was a visiting professor at the Royal College of Art. [17]