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Magia Naturalis (in English, Natural Magic) is a work of popular science by Giambattista della Porta first published in Naples in 1558. Its popularity ensured it was republished in five Latin editions within ten years, with translations into Italian (1560), French, (1565) Dutch (1566) and English (1658) printed.
By medieval classifications, the Kitāb al-nawāmīs is a work of natural magic (sīmāʾ, magia naturalis) as opposed to ritual magic. [7] [8] That is, it is "based solely on the exploitation of the hidden forces of nature" and does not directly involve demons or other spirits. [7] Modern scholars have employed many terms.
Giambattista della Porta was born at Vico Equense, near Naples, to the nobleman Nardo Antonio della Porta. He was the third of four sons and the second to survive childhood, having an older brother Gian Vincenzo and a younger brother Gian Ferrante. [ 3 ]
The original poem lists 77 plants and their properties; it is accompanied by 20 additional items known as "Spuria", which were added later.The ultimate source of most of the information is Pliny's Historia naturalis, though Odo may have come to this information second-hand, possibly through the Roman writer Gargilius Martians.
The history of magic extends from the earliest literate cultures, who relied on charms, divination and spells to interpret and influence the forces of nature. Even societies without written language left crafted artifacts, cave art and monuments that have been interpreted as having magical purpose.
Heinrich Cornelius Agrippa discusses natural magic in his Three Books of Occult Philosophy (1533), [1] [3] where he calls it "nothing else but the highest power of natural sciences". [1] The Italian Renaissance philosopher Giovanni Pico della Mirandola , who founded the tradition of Christian Kabbalah , argued that natural magic was "the ...
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Marcellus Empiricus, also known as Marcellus Burdigalensis (“Marcellus of Bordeaux”), was a Latin medical writer from Gaul at the turn of the 4th and 5th centuries. His only extant work is the De medicamentis, a compendium of pharmacological preparations drawing on the work of multiple medical and scientific writers as well as on folk remedies and magic.