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Sonata for Oboe and Piano (1938) Sonata for English Horn and Piano (1941) Sonata for Clarinet and Piano (1939) Sonata for Bassoon and Piano (1938) Horn Sonata for French Horn and Piano (1939) Sonata for Four Horns (1952) Alto Horn Sonata (also for Horn or Alto Saxophone) (1943) Sonata for Trumpet and Piano (1939) Sonata for Trombone and Piano ...
One of the core features of Hindemith's system is a ranking of all musical intervals of the 12-tone equally tempered scale, from the most consonant to the most dissonant. He classifies chords in six categories, on the basis of dissonance, whether they contain a tritone, and whether they clearly suggest a root or tonal centre.
Hindemith introduces a non-traditional key signature (G-sharp and F-Sharp only) that sets the music in a whole-tone mode; while the viola does occasionally play runs and phrases with half-steps, the piano persists in the figure G#-F#-E-D, over which the viola builds towards a climax in C-sharp minor, which is the first note of the third movement.
Kammermusik (Chamber Music) is a group of eight chamber music compositions by Paul Hindemith.He wrote them, each in several movements, during the 1920s.They are grouped in three opus numbers: Op. 24, Op. 36 and Op. 46.
The Violin Sonata No. 2 for piano and violin, in D major, Op. 11, No. 2, is the second surviving violin sonata for the two instruments by Paul Hindemith, composed in 1918. It was published as Sonate in D für Klavier und Violine .
Opening (Play ⓘ) and second to last (Play ⓘ) measures of the piece.From the first and final movements, respectively. Ludus Tonalis ("Play of Tones", "Tonal Game", or "Tonal Primary School" after the Latin Ludus Litterarius), subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen (Counterpoint, tonal and technical studies for the piano), is a piano work by Paul Hindemith that ...
Trauermusik is a suite for viola and string orchestra, written on 21 January 1936 by Paul Hindemith at very short notice in memory of King George V of the United Kingdom, who died the previous night. The title means "Mourning Music" or "Funeral Music" in English, but the work is always known by its German title.
Anderson, Gene. 1994. "Analysis: Musical Metamorphoses in Hindemith's March from Symphonic Metamorphosis of Themes by Carl Maria von Weber". Journal of Band Research 30, no. 1:1–10. Bolin, Norbert. 1999. Paul Hindemith: Komponist zwischen Tradition und Avantgarde: 10 Studien. Kölner Schriften zur neuen Musik 7. Mainz: Schott. ISBN 3-7957-1896-1.