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"Revelation Song" is a song written by Jennie Lee Riddle with lyrics adapted from Revelation 4 of the New Testament.The song first gained exposure on U.S. Christian radio through a Christ for the Nations Institute recording, "Glorious" in 2004, as well as on Gateway Worship's debut album, Living for You in 2006, and subsequently included on Kari Jobe's self-titled album.
Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive emotionalism. [2] A defining characteristic is that the text does not "initiate praise", but is rather an invitation to join in an endless song.
The video premiered in November 2006. It simply shows the band playing the song with no added dramatics. The music video begins with various band members playing their instrument in front of a camera shoot. When the vocals begin, a split-screen of Chris Cornell and other band members begins. As each guitar riff or drum part kicks in, the player ...
In addition, "Revelation Song" earned a Dove Award at the 2010 GMA Dove Awards for Worship Song of the Year, while Fearless earned the Inspirational Album of the Year award. [8] [9] During the 2010 GMA Dove Awards, Phillips, Craig and Dean performed Revelation Song live with fellow CCM artist Kari Jobe.
The song was also performed by them during a Winter Jam Tour in 2012, billed as the world's largest Christian music tour. The newest musical endeavor of Jennie's is the forming of People & Songs community, the 1st release of her Opus Collective, and the subsequent 1st release in the Simple Collection Series, "I Stand Before Almighty God Alone".
He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment.
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Sivan explained to Billboard that after reading the script, he was set on getting his music into the movie: "I was ready to sell my soul. I said, 'You can have any song that I've ever written, I'll write new ones, I'll do anything.'" [5] Sivan wrote several unsolicited original songs that did not make it into the film, but director Joel Edgerton put in a request for Sivan to tackle a specific ...