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Drishti (from Sanskrit दृष्टि dr̥ṣţi, meaning "vision" or "insight") is a multi-platform, open-source volume-exploration and presentation tool. [1] Written for visualizing tomography data, electron-microscopy data and the like, it aims to ease understanding of data sets and to assist with conveying that understanding to the research community or to lay persons.
Drishti and similar may refer to: Drishti, a 1990 Hindi film by Govind Nihalani; Drishti (yoga), a part of yoga practice; Drishti (client), a visualization tool for tomography and electron-microscopy data; View (Buddhism) or Drishti, a concept in Buddhism; Drisht or Drishti in definite Albanian form, a village in Albania
Vikas Divyakirti was born on 26 December 1973 in Bhiwani, Haryana.He completed his early schooling in Hindi medium at Halwasia Vidhya Vihar. After completing his schooling, he studied at Zakir Husain Delhi College, pursuing a Bachelor of Commerce (honors) degree.
Divya Drishti (transl. Divine Sight) is an Indian supernatural drama television series which aired from 23 February 2019 to 23 February 2020 on Star Plus. [2] Produced under Fireworks Productions, it starred Sana Sayyad, Nyra Banarjee, Sangita Ghosh, Adhvik Mahajan and Mishkat Varma.
Drishti (transl. Vision) is a 1990 Indian Hindi-language drama film directed by Govind Nihalani, starring Dimple Kapadia, Shekhar Kapur and Irrfan. The film depicts the marital life of an urban couple from an upper-class milieu in Mumbai and follows their trials and tribulations, infidelity, divorce, and meeting after years of separation.
A drishti bommai , drishti gombe or drishti bomma is a talisman represented as a doll, predominantly found in South India. Regarded to possess apotropaic properties, these dolls are prominently hung at construction sites, houses, residential buildings, and trucks, [ 1 ] [ 2 ] intended to ward off evil.
While drishti-srishti-vada is the idealist view of interpretation, srishti-drishti-vada is the realist view of interpretation. [3] The former contends that what one sees defines reality while the latter contends that what exists defines vision. [4]
Prakasananda propounded his doctrine of Drishti-srishti-vada in his work titled, Siddhanta-Muktavali, on which Nana Dikshita had written a commentary called Siddhanta-pradipika. In so doing he denied the objective character of maya. According to him all phenomena are subjective or imagined, and exist so long as are perceived. [5]