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Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Toward the end of the 19th century, Navajo weavers began to make rugs for non-Native tourists and for export. Earlier Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit ...
In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.
Larger rugs might take Navajo women up to a year to complete. For many decades after 1868 weavers earned less than 5 cents per hour for their work. [24] The profit of the trader from selling weavings could be substantial. About 1970, for example, a Navajo weaver was paid 30 dollars for a rug which the trader priced at 250 dollars in his store. [25]
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
Both the Two Gray Hills and the Crystal styles of rug evolved from Moore's designs. [16] Until the 1930s the Crystal rugs were bordered, with a central design woven in natural colors, sometimes with some red. After this, the style changed to banded rugs with distinctive "wavy" lines made by alternating weft strands in two or three different colors.
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