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Although the word timpani has been widely adopted in the English language, some English speakers choose to use the word kettledrums. [6] The German word for timpani is Pauken; the Swedish word is pukor in plural (from the word puka), the French and Spanish is timbales, not to be confused with the latin percussion instrument, which would ...
The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed. The old practice of learning parts by rote gave way to written music and composers began writing more regularly for the ...
German for B natural; B in German means B flat Hauptstimme (Ger.) Main voice, chief part (i.e. the contrapuntal line of primary importance, in opposition to Nebenstimme) hemiola (English, from Greek) The imposition of a pattern of rhythm or articulation other than that implied by the time signature; specifically, in triple time (for example in 3
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music.
This list contains Germanic elements of the English language which have a close corresponding Latinate form. The correspondence is semantic—in most cases these words are not cognates, but in some cases they are doublets, i.e., ultimately derived from the same root, generally Proto-Indo-European, as in cow and beef, both ultimately from PIE *gʷōus.
The German word Flügel means wing or flank in English. In early 18th century Germany, a ducal hunt leader known as a Flügelmeister blew the Flügelhorn , a large semicircular brass or silver valveless horn, to direct the wings of the hunt.
Missa in tempore belli (English: Mass in Time of War) is a setting of the mass by Joseph Haydn.It is catalogued Mass No. 10 [1] in C major (Hob. XXII:9). [1] Known also as the Paukenmesse due to the dramatic use of timpani, it is one of the most popular of his fourteen mass settings.
The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such ...