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Kudüs Fatihi Selahaddin Eyyubi (English: Saladin: The Conqueror of Jerusalem) is a Turkish television series produced by Turkey's Akli Films and Pakistan’s Ansari and Shah Films.
They involve the “washing of the mouth” (mîs-pî proper) on the first day to cleanse the statue of all traces of human contamination in the production of the idol, and the “opening of the mouth” (inscribed KA.DUḪ.Ù.DA, Akkadian: pit pî) performed with syrup, ghee, cedar and cypress on the second to bring it to life, sacraments ...
Hubal may have been the combination of Hu, meaning "spirit" or "god", and the Moabite god Baal meaning "master" or "lord" or as a rendition of Syriac habbǝlā/Hebrew heḇel "vanity". [10] Outside South Arabia, Hubal's name appears just once, in a Nabataean inscription; [ 11 ] there Hubal is mentioned along with the gods Dushara (ذو ...
Ibn al-Kalbi writes that an idol, or an aṣnām, is a venerated figurine resembling a human that is made out of wood, gold, or silver. However, if made of stone, it is called an awthān. [15] In the Quran, the words used for 'idol' or 'statue' include wathan (plural awthān) and ṣanam (plural aṣnām).
Moses Indignant at the Golden Calf, painting by William Blake, 1799–1800. Idolatry is the worship of an idol as though it were a deity. [1] [2] [3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, Islam, and the Baháʼí Faith) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.
[16]: 248–264 The early Buddhist texts assert that pre-Buddha ancient Indian sages who taught these virtues were earlier incarnations of the Buddha. [ 16 ] : 248 –264 Post-Buddha, these same virtues are found in the Hindu texts such as verse 1.33 of the Yoga Sutras of Patañjali , wherein the word maitri is synonymous with metta .
Furthermore, al-ʻUzzā was the greatest idol among the Quraysh. They used to journey to her, offer gifts unto her, and seek her favours through sacrifice. [6] The Quraysh used to circumambulate the Ka‘bah and say, By al-Lāt and al-ʻUzzā, And al-Manāt, the third idol besides. Verily they are al-gharānīq Whose intercession is to be sought.
Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...