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Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [ 1 ] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians ...
History of art. For the academic discipline, see Art history. The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
A form of bas-relief work, known as repoussé plaques, using metal like brass and copper panels, were a popular form of art in the 19th and early 20th century. [48] These panels were often gilded (covered in a layer of gold). [49] This form of art-craft is known in Punjabi as ubhar-da-kam (meaning "raised work"; from ubhar i.e. swelling or ...
Name and identity. Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. [4] At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions.
Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, Chithrasoothram - (Chitrasutra is a part of the Vishnu Dharmottara ...
Contents. Tibetan art. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [ 1 ] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
The style is also known for its fine relief images of real and mythical animals such as elephants, lions and garudas. [26] The Mỹ Sơn A1 style encompasses not only works of art found at Mỹ Sơn, but also works found at Khuong My and Trà Kiệu, though the latter are sometimes treated as representing distinct styles.
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.