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Badroulbadour / Badr ul-Badour / Badr al-Badur (Arabic: بدر البدور Badru l-Budūr, "full moon of full moons") [1] is a princess whom Aladdin married in The Story of Aladdin; or, the Wonderful Lamp. Her name uses the full moon as a metaphor for female beauty, which is common in Arabic literature and throughout the Arabian Nights.
The films received a positive reception. Rebecca Silverman of Anime News Network reviewed all three films, describing them as family-friendly and a "magical, beautiful story about exploration and finding where you belong," noting the homages to the original story of Sinbad the Sailor in One Thousand and One Nights, and praised the designs of creatures, background art, and voice casts, and ...
Aladdin manages to rub the lamp and a genie appears. The genie helps Aladdin get out of the cave, marry the princess, free Badar's father, have him reinstated as the Sultan and build a palace for him. The story follows the magician getting hold of the lamp and Aladdin's adventures from then on, till he gets the lamp back and manages to vanquish ...
Each episode began with host James Earl Jones sitting in a chair in a room with a table, lamp, and window. The walls were blue with white dots in order to make it appear as if the room was sitting out in space or the night sky. James Earl Jones talks during the short opening section, then acts as narrator for the balance of an episode.
Aladdin's Magic Lamp (Russian: Волшебная лампа Аладдина, romanized: Volshebnaya lampa Aladdina) is a 1967 Soviet fantasy film directed by Boris Rytsarev based on the tale Aladdin from One Thousand and One Nights.
The painting is a romanticised three-quarter-length portrait of Nightingale, depicted as a young woman swathed in a white shawl, carrying an oil lamp as she looks down on a wounded soldier, wearing his redcoat draped over his shoulders with its arms around his neck. Other wounded soldiers lie in the background, below military flags.
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