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Holy Family with the Infant Saint John the Baptist (c. 1522–1523) by Pontormo. Holy Family with the Infant Saint John the Baptist is a c.1522-1523 oil on panel painting by Pontormo, produced early in his career. It now hangs in the Hermitage Museum, [1] which acquired it with countess E. I. Mordvinova's collection.
Nativity of Saint John the Baptist, Zechariah writing, "His name is John". Pontormo, on a desco da parto, c. 1526. Christians have long interpreted the life of John the Baptist as a preparation for the coming of Jesus Christ, and the circumstances of his birth, as recorded in the New Testament, are miraculous. John's pivotal place in the gospel ...
Nativity of Saint John the Baptist is a 1526 oil on panel desco da parto painting by Pontormo, now in the Uffizi, [1] where it has been since at least 1704. There is a copy in the Fogg Art Museum . Its status as an autograph work is accepted by most art critics, but was disputed by Philippe Costamagna .
The Beheading of Saint John the Baptist (Giovanni di Paolo) The Beheading of Saint John the Baptist (Caravaggio) Bevilacqua-Lazise Altarpiece; Birth of John the Baptist (Signorelli) The Birth of Saint John the Baptist (Artemisia Gentileschi) Braque Triptych; Brera Madonna; The Burial of the Count of Orgaz; Burning Bush Triptych
John the Baptist [note 1] (c. 6 BC [18] – c. AD 30) was a Jewish preacher active in the area of the Jordan River in the early 1st century AD. [19] [20] He is also known as Saint John the Forerunner in Eastern Orthodoxy and Oriental Orthodoxy, John the Immerser in some Baptist Christian traditions, [21] and as the prophet Yaḥyā ibn Zakariyā (Arabic: النبي يحيى, An-Nabī Yaḥyā ...
The cycle occupies the two lateral walls and the end wall of the Cappella Maggiore, covering a surface of 400 m 2 (4,300 sq ft) in total. [2] At the left (looking from the nave towards the high altar) are the Stories of Saint Stephen, the titular saint of the church and patron saint of Prato; at the right are the Stories of Saint John the Baptist, the protector of nearby Florence.
The Birth of Saint John the Baptist, by Artemisia Gentileschi, was part of a six-painting portrayal of Saint John's life, with four of the paintings by Massimo Stanzione and one (now lost) by Paolo Finoglia, for the Hermitage of San Juan Bautista (Saint John the Baptist) on the grounds of Buen Rierto in Madrid, under orders from the Viceroy of Naples, the Conde de Monterrey. [1]
A young Saint John the Baptist is traditionally represented as wearing only skins, often camel. In this case, he wears an exotic spotted fur wrapped around his body. Seated on a rock, he makes a gesture typical of Jesus to point to a cross on the left side of the painting.