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The Rama Raksha Stotra (Sanskrit: रामरक्षास्तोत्रम्, romanized: rāma-rakṣā-stotram) is a Sanskrit stotra, a hymn of praise ...
Many stotra hymns praise aspects of the divine, such as Devi, Shiva, or Vishnu. Relating to word "stuti", coming from the same Sanskrit root *stu-("to praise"), and basically both mean "praise". Notable stotras are Shiva Tandava Stotram in praise of Shiva and Rama Raksha Stotra, a prayer for protection to Rama.
Annapurna Stotra; Ashtalakshmi Stotra; Dakshinamurti Stotra; Hayagriva Stotra; Hari Stotra; Kanakadhara Stotra; Khadgamala Stotra; Mahishasura Mardini Stotra; Rama Raksha Stotra; Shiva Mahimna Stotra; Shiva Tandava Stotra
The authorship of the Mahishasura Mardini Stotra is attributed to the theologian Adi Shankara. This hymn is mentioned in the 53rd chapter of the 1st portion of the text Shivarahasya Purana . [ 5 ] The hymn is based on the text Devi Mahatmya , [ 6 ] referencing a number of legends of the goddess Durga such as slaying Mahishasura, Raktabija , as ...
The first verse of the Hari Stotra extols the attributes of Vishnu: [1] [2] jagajjālapālaṃ kanatkaṇṭhamālaṃ śaraccandrabhālaṃ mahādaityakālaṃ nabhōnīlakāyaṃ durāvāramāyaṃ supadmāsahāyaṃ bhaje'ham bhaje'ham. I worship and worship him who is the garland on the neck of Lakshmi who is the essence of Vedas, who lives ...
Shri Ramachandra Kripalu, or "Shri Ram Stuti," is a Stuti (Horation Ode) verse from his work called Vinaya Patrika, written by Goswami Tulsidas. It was written in the sixteenth century in a mix of Sanskrit and Awadhi languages. The prayer/ode glorifies Shri Rāma and his characteristics to the best. Original version: MIX of Awadhi and Sanskrit:
This mantra, presented in two lines, contains the words Hare, Rama, and Krishna. The word Hare, meaning "O Harā" (the feminine counterpart to Vishnu, sometimes known as Hara), is repeated eight times, while the other two names are Hindu gods and are each repeated four times (or two forms of Vishnu, who is then invoked eight times as well).
He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama; some of which remain very popular even today.