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A house mouse (Mus musculus). Fear of mice and rats is one of the most common specific phobias.It is sometimes referred to as musophobia (from Greek μῦς "mouse") or murophobia (a coinage from the taxonomic adjective "murine" for the family Muridae that encompasses mice and rats, and also Latin mure "mouse/rat"), or as suriphobia, from French souris, "mouse".
Musophobia: fear of mice or rats. 219. Mycophobia: fear of mushrooms ... 282. Scriptophobia: fear of writing in public. 283. Selachophobia: fear of sharks ... one form of treatment might work ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
Wāpuro thus does not represent some distinctions observed in spoken Japanese, but not in writing, such as the difference between /oː/ (long vowel) and /oɯ/ (o+u). For example, in standard Japanese the kana おう can be pronounced in two different ways: as /oː/ meaning "king" ( 王 ), [ 2 ] and as /oɯ/ meaning "to chase" ( 追う ). [ 3 ]
In Japanese culture, social hierarchy plays a significant role in the way someone speaks to the various people they interact with on a day-to-day basis. [5] Choice on level of speech, politeness, body language and appropriate content is assessed on a situational basis, [6] and intentional misuse of these social cues can be offensive to the listener in conversation.
The line breaking rules in East Asian languages specify how to wrap East Asian Language text such as Chinese, Japanese, and Korean.Certain characters in those languages should not come at the end of a line, certain characters should not come at the start of a line, and some characters should never be split up across two lines.
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む, in hiragana, or ム in katakana, is one of the Japanese kana, which each represent one mora. The hiragana is written with three strokes, while the katakana is written with two. Both represent [mɯ]. In older Japanese texts until the spelling reforms of 1900, む was also used to transcribe the nasalised [ɴ].