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" Guantanamera" (pronounced [ɡwantanaˈmeɾa]; Spanish for 'The woman from Guantánamo') [1] is a Cuban patriotic song, which uses a poem from the collection Simple Verses, by the Cuban poet José Martí, for the lyrics. It is an expression of love for Cuba and of solidarity with the poor people of the world.
The album was recorded in six days and contained fourteen tracks. It opened with "Chan Chan" written by Compay Segundo, a four-chord son (Dm, F, Gm, A7) that was to become what Cooder described as "the Buena Vista's calling card"; [6] and ending with a rendition of "La bayamesa", a traditional Cuban patriotic song (not to be confused with the Cuban national anthem of the same name). [7]
The "Guantanamera" hit group have a sure-fire sales winner in this, their debut LP which also includes their new single "Louie Louie". Produced by Tommy LiPuma, the album offers a most diversified program of fresh, creative ideas. The smooth blend of voices, backed by the Latin flavored arrangements throughout, makes it an intriguing package.
Could there be different lyrics to the same tune ? -- Beardo 05:13, 17 May 2006 (UTC) Naaaah, the Guantanamera is as popular and as flexible in Cuba (and elsewhere) as La Bamba is in Veracruz, Mexico and elsewhere. It is so simple in its musical structure that any set of 4-verse octosyllabic lyrics in Spanish can be adapted to it.
Guantanamera" is a Cuban song by Joseíto Fernández, recorded by many artists. Guantanamera may also refer to: Guantanamera (The Sandpipers album), 1966; Guantanamera (cigar), a cigar brand; Guantanamera, a 1995 Cuban comedy film
Prince Andrew is at the center of more controversy.. The Duke of York, 64, who is King Charles' brother, reportedly had close business links with a Chinese national, who is alleged to be a spy ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) [nb 1] was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. [2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo".
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