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The rondo form emerged in the Baroque period and became increasingly popular during the Classical period. [2] The earliest examples of compositions employing rondo form are found within Italian opera arias and choruses of the first years of the 17th century. [2] These examples use a multi-couplet rondo or chain rondo (ABACAD) known as the ...
Rondo form involves the repeated use of a theme (sometimes called the "refrain") set in the tonic key, alternating with episodes, resulting in forms such as ABACA (the five-part rondo) or ABACADA (the seven-part rondo). In a rondo, the refrain (A) may be varied slightly. The episodes (B, C, D, etc.) are normally in a different key than the tonic.
For example, a rondo is based on alternation between familiar and novel sections (e.g. ABACA structure); a mazurka is defined by its distinctive meter and rhythm; a nocturne is based on the mood it creates, required to be inspired by or evocative of night.
The rondò is distinct from the refrain form called rondo. [6] In recent English and German musical literature, the Italian spelling and pronunciation (with accent on the last syllable) has been adopted to distinguish this from the (predominantly instrumental) form called rondo (with accent on the first syllable).
Examples of his earliest works are those found in Nannerl's Music Book. Between 1782 and 1786, Mozart wrote 20 works for piano solo (including sonatas, variations, fantasias, suites, fugues, rondo) and works for piano four hands and two pianos.
The Rondo in A minor, K. 511, is a work for solo piano by Wolfgang Amadeus Mozart. Composition, premiere, and publication ... For example, in the third and fourth ...
The Rondo in D is, formally, not a rondo at all but a set of variations. [1] It is marked Allegretto grazioso and contains two tempo changes, Adagio and Allegro respectively, before returning to the initial tempo soon before the end. The total duration is about 10 minutes, which is much longer than the movement it replaced, which generally ...
This second Rondo, which has the same key, metre, and formal structure as the first Rondo, can be regarded as an alternative to the first Rondo. [3] [4] The autograph date on the work is 15 August 1862. The Rondo in C minor was part of the Kitzler-Studienbuch, a collection of autographs and sketches created during Bruckner's studies with Kitzler.