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Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social status and background. Pantalone typically wore tight red pants and a matching shirt, a long black cape, black or red pointed shoes, and a belt that had a purse attached. Pantalone also ...
Brighella, from the 16th century. Brighella (Bergamasque dialect: Brighèla) is a comic, masked character from the Italian theatre style commedia dell'arte.His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a batocio (also batacchio or battacio, depending on region) or slapstick, or else with a wooden sword.
The costumes of the lovers were the fashion of the day, and the extravagance of the lovers costumes often represented the status of the commedia dell'arte company. [5] The lovers never wear the masks, which is characteristic of most of the other stock characters in the commedia dell'arte.
Eduardo De Filippo as Pulcinella, a character from the commedia dell'arte Commedia dell'arte troupe I Gelosi performing, by Hieronymus Francken I, c. 1590. Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries.
Sandrone, is represented as a peasant who is crude, clever, and cunning. He is seen as the spokesman of a humble people who are ill-treated, eternally hungry, and always using tricks to make ends meet.
The costume for Pantalone is characterized by the use of red for almost the entire costume. The characteristics of the costume also include a Greek style hat, a jacket, a pair of long trousers or breeches with stockings, a tight jacket, a woollen skullcap, a robe or cape, a prominent codpiece or strategically placed coin purse, [ 12 ] [ 22 ] a ...
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Gilles (French:)—sometimes Gille—is a stock character of French farce and commedia dell'arte. He enjoyed his greatest vogue in 18th-century France, in entertainments both at the fairgrounds of the capital and in private and public theaters, though his origins can be traced back to the 17th century and, possibly, the century previous.
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