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In 2017, the museum had 2.3 million visitors and was the most-visited museum in the Netherlands, and the 23rd-most-visited art museum in the world. In 2019, the Van Gogh Museum launched the Meet Vincent Van Gogh Experience, a technology-driven "immersive exhibition" on Van Gogh's life and works, which has toured globally.
Van Gogh did not begin painting until his late twenties, and most of his best-known works were produced during his final two years. He produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings and sketches. In 2013, Sunset at Montmajour became the first full-sized Van Gogh painting to be newly confirmed since 1928 ...
The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]
The wheat field with cypresses paintings were made when van Gogh was able to leave the asylum. Van Gogh had a fondness for cypresses and wheat fields of which he wrote: "Only I have no news to tell you, for the days are all the same, I have no ideas, except to think that a field of wheat or a cypress well worth the trouble of looking at closeup."
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
[14] They refer to a June 1880 letter of van Gogh's, in which he compared himself to a bird in a cage, [15] and remark: "The crows in the painting, in other words, were an altogether personal symbol closely associated with van Gogh's own life". [14] These painting are all examples of Van Gogh's elongated double-square canvases, used exclusively ...
It was one of the first paintings by van Gogh to enter a public collection. It was photographed in color in the 1930s, an uncommon and costly practice at the time. [5] [4] During World War II, the collection of the Kaiser-Friedrich Museum was transported to a salt mine in the nearby town of Stassfurt, in order to protect it from Allied bombing ...
Van Gogh's brushwork brings life to this picture of furrowed soil and craggy mountains. At the center, a peasant carries a bundle of straw, a symbol of the cycles of life. Van Gogh described this painting as a pendant to The Reaper, which resides at the Van Gogh Museum in Amsterdam, both in vivid complementary colors of yellow and blue-violet. [15]
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