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The recitation in "Beyond the Sunset" was originally a poem called "Should You Go First" by Albert "Rosey" Rowswell, the voice of the Pittsburgh Pirates for more than twenty years, and later first put to the 1936 hymn "Beyond the Sunset" by West Virginian performer Chickie Davis. [2]
The Baptist Hymnal is a book of hymns and songs used for Christian worship in churches affiliated with the United States denomination, the Southern Baptist Convention. There have been four editions, released in 1956, 1975, 1991 and 2008. The 2008 edition is also published under the name The Worship Hymnal. [1]
John Willard Peterson (November 1, 1921 – September 20, 2006) was a songwriter who had a major influence on evangelical Christian music in the 1950s through the 1970s. He wrote over 1000 songs, and 35 cantatas .
Print/export Download as PDF; Printable version; In other projects Wikidata item; ... "Beyond the Sunset" (song), a 1950 song by Hank Williams; Beyond the Sunset: ...
Lining out or hymn lining, called precenting the line in Scotland, is a form of a cappella hymn-singing or hymnody in which a leader, often called the clerk or precentor, gives each line of a hymn tune as it is to be sung, usually in a chanted form giving or suggesting the tune.
During his time at Bitterne he was on the committees that produced the popular hymn books Psalm Praise (1973) and Hymns for Today's Church (1982). From 1981 to 1989 Perry served as Rector of Eversley, Hampshire. In 1982 he became Secretary of Jubilate Hymns, and was involved in editing most of their books.
Wren has been a strong proponent of the view that hymns are poetry and theology, instead of simply music. He has stated, "a hymn is a poem, and a poem is a visual art form. The act of reading a hymn aloud helps to recover its poetry and its power to move us—the power of language, image, metaphor, and faith-expression."
"Sunset", also known as the "Retreat Call", is a bugle call played in United Kingdom and British Commonwealth countries to signal the end of the official military day. [1] In common with all bugle calls, it consists only of notes from a single overtone series. This allows it to be playable on a bugle or equivalently on a trumpet without moving ...