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Vaughan Williams c. 1920. Ralph Vaughan Williams OM (/ ˌ r eɪ f v ɔː n ˈ w ɪ l j ə m z / ⓘ RAYF vawn WIL-yəmz; [1] [n 1] 12 October 1872 – 26 August 1958) was an English composer. . His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty yea
Vaughan Williams was the musical editor [17] of the English Hymnal of 1906, and the co-editor with Martin Shaw of Songs of Praise of 1925 and the Oxford Book of Carols of 1928, all in collaboration with Percy Dearmer. In addition to arranging many pre-existing hymn tunes and creating hymn tunes based on folk songs, he wrote several original ...
Vaughan Williams noted on his score that "My Bonny Boy" was taken from the book English County Songs [9] while the "Green Bushes" melody seems to have been adapted from two versions collected by Cecil Sharp, one in the Dorian and one in the Mixolydian mode, the modal ambiguity being reflected in the composer's harmonization. [4]
Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano . Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ...
In 1904 Ralph Vaughan Williams (1872–1958) created his song cycle The House of Life from six poems by Rossetti. One song in that cycle, "Silent Noon", is one of Vaughan Williams's best known and most frequently performed songs. In 1904, Phoebe Anna Traquair painted The Awakening, inspired by a sonnet from Rossetti's The House of Life. [62]
Stylistic comparisons have been made with Vaughan Williams's Sixth Symphony which was composed only four years earlier, notably of the second song, The Cloud-Capp'd Towers. Although the published version begins in the key of F♯ minor , the composer's original holograph was in E minor , which is also the key of the Sixth Symphony.
Ralph Vaughan Williams's Symphony No. 3, published as Pastoral Symphony and not numbered until later, was completed in 1922. Vaughan Williams's inspiration to write this symphony came during World War I after hearing a bugler practising and accidentally playing an interval of a seventh instead of an octave; [1] this ultimately led to the trumpet cadenza in the second movement.
Folk Songs of the Four Seasons is a cantata for women's voices with orchestra or piano by English composer Ralph Vaughan Williams written in 1949. [1] Based on English folk songs, some of which he had collected himself in the early 20th century, the work was commissioned by the Women's Institute for a Singing Festival held at the Royal Albert Hall on 15 June 1950.