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Rudolph Hall in 2022, showing the 2008 addition to the right of Paul Rudolph's original Brutalist structure. Rudolph Hall (built as the Yale Art and Architecture Building, nicknamed the A & A Building, and given its present name in 2007 [1]) is one of the earliest and best-known examples of Brutalist architecture in the United States.
George Gund Hall, Harvard Graduate School of Design, Cambridge (John Andrews, 1972) George Sherman Union; Harbor Towers; Larsen Hall, Harvard University, Cambridge [2]: 60 Law and Education Tower, Boston University, Boston [2]: 66 Lawrence Public Library, Lawrence (Henneberg & Henneberg Architects, 1973) Lincoln House, Lincoln
Bruce Alonzo Goff (June 8, 1904 – August 4, 1982) was an American architect, distinguished by his organic, eclectic, and often flamboyant designs for houses and other buildings in Oklahoma and elsewhere.
1922: G. Way House, Northeast corner of E. 31st Street and S. Peoria Avenue, Tulsa, Oklahoma (The house was significantly altered in 1983, leaving little of the original design intact) [1] 1923: Adah Robinson Studio , 1119 S. Owasso Avenue, Tulsa, Oklahoma [ 1 ]
Tulsa is a hub of art deco and contemporary architecture, and most buildings of Tulsa are in either of these two styles. Prominent buildings include the BOK Tower, the second tallest building in Oklahoma; the futurist Oral Roberts University campus and adjacent Cityplex Towers, a group of towers that includes the third tallest building in Oklahoma; Boston Avenue Methodist Church, an Art Deco ...
Architect Notes Eleventh Street Arkansas River Bridge, U.S. Highway 66 over the Arkansas River: 1916-17, Modified 1929: Listed on National Register of Historic Places: Oak Lawn Cemetery Entrance Gates, 11th and Peoria [2] c. 1930: Tulsa Union Depot, 3 South Boston Avenue: 1931: New Home of the Oklahoma Jazz Hall Of Fame, circa 2007.
The Riverside Studio in Tulsa, Oklahoma, United States, also known as Tulsa Spotlight Theater, was built in 1928. It was designed by architect Bruce Goff in International Style . It was built as a house with a studio wing for a music teacher named Patti Adams Shriner. [ 2 ]
Initially, the Tulsa Chamber of Commerce owned 40 percent of the building and the club owned 60 percent. The Chamber of Commerce and other organizations used the lower five floors, while the Tulsa Club occupied the top six floors and a roof garden, which was the site of the inaugural meeting of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America ...