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Rumination appears closely related to worry. Rumination is the focused attention on the symptoms of one's mental distress.In 1998, Nolen-Hoeksema proposed the Response Styles Theory, [1] [2] which is the most widely used conceptualization model of rumination.
Afzal Iqbal, The Life and thought of Mohammad Jalal-ud-Din Rumi, Lahore: Bazm-i-Iqbal, 1959 (latest edition, The life and work of Jalal-ud-Din Rumi, Kuala Lumpur: The Other Press, 2014). Endorsed by the famous Rumi scholar A. J. Arberry, who penned the foreword. Abdol Reza Arasteh, Rumi the Persian: Rebirth in Creativity and Love, Lahore
The Súfí who fell into ecstasy on seeing an empty food-wallet; Jacob's love for Joseph; The Amir and the Slave who took delight in the ritual Prayer; The Faith of the Worldly; Hidden Saints; Anas and the Prophet's napkin; How the Prophet saved a caravan of Arabs from death in the Desert; Miracles wrought by the Prophet on the same occasion
The Masnavi, or Masnavi-ye-Ma'navi (Persian: مثنوی معنوی, DMG: Mas̲navī-e maʻnavī), also written Mathnawi, or Mathnavi, is an extensive poem written in Persian by Jalal al-Din Muhammad Rumi, also known as Rumi. It is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
William Clark Chittick (born June 29, 1943) is an American philosopher, writer, translator, and interpreter of classical Islamic philosophical and mystical texts. He is best known for his work on Rumi and Ibn 'Arabi, and has written extensively on the school of Ibn 'Arabi, Islamic philosophy, and Islamic cosmology.
The tales, anecdotes and narratives in this collection are used in Sufi schools for the development of insights beyond ordinary perceptions. Although the number 100 is used in the title, in Idries Shah’s presentation there are 159 tales beginning with a brief description of Rumi’s childhood and youth.
The main narrative action ends with the death of Shams Tabrizi and Rumi's coming-to-terms with it in his work and life. This is thought to have taken place historically in 1248. The opera heavily features poetry from the librettist Dante Micheaux, as well as Rumi's work in English translation. There is some use of spoken word rather than singing.