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Sound poetry is an artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony–A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
Other examples of onomatopoeic words being used to represent actions are phaṭāphaṭ (to do something fast), dhak-dhak (to represent fear with the sound of fast beating heart), ṭip-ṭip (to signify a leaky tap) etc. Movement of animals or objects is also sometimes represented with onomatopoeic words like bhin-bhin (for a housefly) and sar ...
Examples of zaum include Kruchenykh's poem Dyr bul shchyl, [4] Kruchenykh's libretto for the Futurist opera Victory over the Sun with music by Mikhail Matyushin and stage design by Kazimir Malevich, [5] and Khlebnikov's so-called "language of the birds", "language of the gods" and "language of the stars". [6]
Bob Cobbing (30 July 1920 – 29 September 2002) was a British sound, visual, concrete and performance poet who was a central figure in the British Poetry Revival. Early life [ edit ]
Melopoeia or melopeia is when words are "charged" beyond their normal meaning with some musical property which further directs its meaning, [1] inducing emotional correlations by sound and rhythm of the speech. Melopoeia can be "appreciated by a foreigner with a sensitive ear" but does not translate well, according to Pound. [1]
Identical rhymes are considered less than perfect in English poetry; but are valued more highly in other literatures such as, for example, rime riche in French poetry. Though homophones and homonyms satisfy the first condition for rhyming—that is, that the stressed vowel sound is the same—they do not satisfy the second: that the preceding ...