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The poem is written in the voice of an old woman in a nursing home who is reflecting upon her life. Crabbit is Scots for "bad-tempered" or "grumpy". The poem appeared in the Nursing Mirror in December 1972 without attribution. Phyllis McCormack explained in a letter to the journal that she wrote the poem in 1966 for her hospital newsletter. [4]
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
[1] [2] Literary agent Theresa Park discovered Sparks by picking the book out of her agency's slush pile and reading it. Park offered to represent him. Park offered to represent him. In October 1995, Park secured a $1 million advance for the book from the Time Warner Book Group , and the novel was published in October 1996.
Now We Are Six is a 1927 book of children's poetry by A. A. Milne, with illustrations by E. H. Shepard. It is the second collection of children's poems following Milne's When We Were Very Young, which was first published in 1924. The collection contains thirty-five verses, including eleven poems that feature Winnie-the-Pooh illustrations.
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
At her father's suggestion, the book was dedicated to Hannah Stevenson, a friend who had helped Alcott secure her position as a volunteer nurse. [5] The book, priced at 50 cents, earned the author five cents in royalties for every copy sold, with an additional five cents donated to children orphaned by the war. [ 5 ]
The fly suffers from uncontrollable circumstances, just as the narrator does. This humbling simile has caused the narrator to move from thoughtlessness to thought, and, as "thought is life", from death to life, allowing the conclusion, "Then am I / A happy fly / If I live, / Or if I die", a conclusion to which Paul Miner comments: " Brain-death ...
The infant in the poem is at the mother's breast but most likely it was a nurse's breast; the sparrow represents the child's happiness while the robin represents desolation as robins traditionally appear during the winter, one could assume [citation needed] that it is upset at having missed the exciting, lively critiques that occur with summer ...