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Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
Bronze statue representing the discourse of Bhagavan Krishna and Arjuna, in Kurukshetra. Karma yoga (Sanskrit: कर्म योग), also called Karma marga, is one of the three classical spiritual paths mentioned in the Bhagavad Gita, one based on the "yoga of action", [1] the others being Jnana yoga (path of knowledge) and Bhakti yoga (path of loving devotion to a personal god).
Jaishankar Prasad (30 January 1889 [1] – 15 November 1937) [3] was a prominent figure in modern Hindi literature as well as Hindi theatre. Prasad was his pen name. [ 4 ] He was also known as Chhayavadi kavi .
Tantrasamgraha had spawned a few commentaries: Tantrasamgraha-vyakhya of anonymous authorship and Yuktibhāṣā authored by Jyeshtadeva in about 1550 CE. Tantrasangraha, together with its commentaries, bring forth the depths of the mathematical accomplishments the Kerala school of astronomy and mathematics , in particular the achievements of ...
Ram Chandra Shukla (4 October 1884 – 2 February 1941), [1] better known as Acharya Shukla, was an Indian historian of Hindi literature. He is regarded as the first codifier of the history of Hindi literature in a scientific system by using wide, empirical research [2] with scant resources.
The earliest original Sanskrit manuscript of the Vivekachudamani was published from Srirangam (Tamil Nadu) by T.K. Balasubramania Iyer in 1910. [1] This edition has attracted much of 20th- and 21st-century scholarship, and has been republished in 1983 after some revision and re-arrangement to reflect studies on it since 1910.
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]