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Alexander Posey was born on August 3, 1873, near present Eufaula, Creek Nation.He was the oldest of twelve children, and his parents were Lewis Henderson "Hence" Posey, of Scots-Irish Muskogee Creek [3] ancestry, from the Creek Berryhill family and Nancy (Phillips) Posey (Creek name Pohas Harjo), who was Muscogee Creek and a member of the Harjo family.
During this state, Alexander's experiences gave him reason to believe in consciousness after documented neocortex brain death. Alexander relates the details of his experience from the point of view of a neurosurgeon and discusses how this has affected his views on life, philosophy, medicine, and (as a lifetime agnostic) the existence of God and ...
Anthony: He is the protagonist or more commonly associated with being the tragic hero in this poem. He is the symbol of a successful as well as ambitious person who lived a very distinguishied and enviable life. However, this life that the protagonist lives suddenly falls on the brink of destruction and death. [4] [5]
The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to support such a claim (Rumble 385).
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
Death and Transfiguration (German: Tod und Verklärung), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist.