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Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Poems in Persons: An Introduction to the Psychoanalysis of Literature (1973; rev. ed. 2000) [14] proposes a very different model of literary processing based on a psychoanalytic theory of identity. The central argument of the text is that writers create texts as expressions of their personal identities and readers re-create their own identities ...
The book was described as a "gem" for students of psychoanalytic theory by psychoanalyst Peter Fonagy [7] and literary theorist Judith Butler described the chapters of the book as "distinguished not only by their enormous theoretical power and precision, but by Fletcher's nearly uncanny ability to read both literary and theoretical texts with ...
In The Literary in Theory (2007) Culler discusses the notion of Theory and literary history's role in the larger realm of literary and cultural theory. He defines Theory as an interdisciplinary body of work including structuralist linguistics , anthropology , Marxism , semiotics , psychoanalysis , and literary criticism .
Psychoanalytic literary criticism is a method of reading and analysing texts through the lens of psychoanalytic principles. [3] It is largely informed by Freudian psychoanalysis, but has since grown into its own field in literary theory, influenced by the work of psychoanalysts such as Carl Jung, Melanie Klein, and Jacques Lacan.
Her sizeable body of work includes books and essays which address intertextuality, the semiotic, and abjection, in the fields of linguistics, literary theory and criticism, psychoanalysis, biography and autobiography, political and cultural analysis, art and art history. She is prominent in structuralist and poststructuralist thought.
His defining influences are literary; he was inspired to become a psychoanalyst after reading Carl Jung's autobiography and he has always believed psychoanalysis to be closer to poetry than medicine: "For me, psychoanalysis has always been of a piece with the various languages of literature—a kind of practical poetry." [7] He began his ...
[7] Her attention to the role of symbolism in life and psychoanalysis has made her appear as a precursor of Jacques Lacan , [ 8 ] who would himself pay tribute in Ecrits to "Ella Sharpe and her very relevant remarks...She is far from ordinary in the extent to which she requires the analyst to be familiar with all branches of human knowledge". [ 9 ]