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Although the word timpani has been widely adopted in the English language, some English speakers choose to use the word kettledrums. [6] The German word for timpani is Pauken; the Swedish word is pukor in plural (from the word puka), the French and Spanish is timbales, not to be confused with the latin percussion instrument, which would ...
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
The meanings of these words do not always correspond to Germanic cognates, and occasionally the specific meaning in the list is unique to English. Those Germanic words listed below with a Frankish source mostly came into English through Anglo-Norman, and so despite ultimately deriving from Proto-Germanic, came to English through a Romance ...
Quite a few of these words can further trace their origins back to a Germanic source (usually Frankish [1]), making them cognate with many native English words from Old English, yielding etymological twins. Many of these are Franco-German words, or French words of Germanic origin. [2]
Timbal, tímpano and timpani all derive from the Latin tympănum, from the Greek týmpanon, meaning drum. (The Spanish word for drum, tambor , although similar, actually derives from Arabic tabl ). In Cuba and Latin America, timbales (timpani) were adapted into pailas , which is the name given to various Spanish metallic bowls and pans used as ...
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
This underlies the division of the orchestral percussion section into auxiliary percussion, tuned percussion and timpani, and is the reason percussive keyboard instruments such as the celesta are excluded from the percussion section. Origins, cultural significance or tradition, for example grouping instruments as Latin percussion or as African ...
The Sparrow Mass (German: Spatzenmesse) is a mass in C major K. 220/196b, Mass No. 9, [1] Missa brevis No. 5, [2] composed by Wolfgang Amadeus Mozart in 1775 or 1776 in Salzburg. . The mass is sometimes termed a missa brevis et solemnis, because it is short in a simple structure as a missa brevis, but festively scored like a missa solemnis with brass and timpani in addition to four soloists ...