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Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [ 3 ]
There are many variations on the basic tumbao. For example, a very common variant sounds a single open tone with the third stroke of clave (ponche), and two tones preceding the three-side of clave. The specific alignment between clave and this tumbao is critical. Top: clave. Bottom: basic conga tumbao on one drum.
Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States Pitched Idiophone Plastic percussion tubes Bougarabou: West Africa Unpitched 211.261.2 Membranophone Bubon: Ukraine Unpitched 232.311 Membranophone Type of skinned Tambourine Buk: Korea Unpitched 211.222.1 ...
From top: 2-3 clave, timbale bell, bongo bell, two congas. According to Bobby Sanabria, the 3–2, 2-3 concept and terminology was developed in New York City during the 1940s by Cuban-born Mario Bauzá, when he was music director of Machito's Afro-Cubans. [27] The 3–2, 2-3 concept is a basic tenet of salsa, but it is not widely used in Cuba ...
The basic timbales part for danzón is called the baqueteo. In the example below, the slashed noteheads indicate muted drum strokes, and the regular noteheads indicate open strokes. The danzón was the first written music to be based on the organizing principle of sub-Saharan African rhythm, known in Cuba as clave. [10] Basic baqueteo timbales ...
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Other shapes include a frame design (tar, Bodhrán), truncated cones (bongo drums, Ashiko), goblet shaped , and joined truncated cones (talking drum). A drum contains cylindrical shells can be open at one end (as is the case with timbales), or can have two drum heads, one head on each end. Single-headed drums typically consist of a skin ...
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