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Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
A very small guitar with a body shaped like an elongated triangle, similar in shape to certain types of psaltery, and designed to be very portable and inexpensive while still being constructed of quality woods. The guitar is famous for having originally been designed by Robert McAnally before Martin took over the design, and was the first ...
A number of companies make combination preamplifier-DI units for electric bass, double bass, or for acoustic instruments which use piezoelectric pickups (e.g., a violin, acoustic guitar, mandolin, etc.). These units may be housed in a "stompbox" pedal format, in a small rackmount unit (often less than a full rack space), or in units designed to ...
It was a kind of electro-acoustic instrument, an acoustic instrument with additional electronic circuits for sound modification. The Magna Organ was an electric-fan driven free reed organ with the microphone sealed in a soundproof box, instead of the electrostatic pickups used on electrostatic reed organs .
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
David Shot was involved in designing the first "all pull" mechanics of the company's steel pedal guitars, which allowed for more musical flexibility. [11] Later in 1963, Buddy Emmons left Sho-Bud to start his Emmons Guitar Company with Ron Lashley. [12] [13] In the 1970s they also expanded their line and offered acoustic guitars.
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