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Location. National Museum, New Delhi, Delhi. Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300 –1751 BC in the Indus Valley civilisation city of Mohenjo-daro (in modern-day Pakistan), [1] which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or ...
Lost-wax casting. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artefacts is the dancing girl of Mohenjo-daro. [ 1 ] The product of dhokra artisans are in great demand in domestic and ...
Riace bronzes. The Riace bronzes (Italian: Bronzi di Riace, [ˈbrondzi di riˈaːtʃe]), also called the Riace Warriors, are two full-size Greek bronze statues of naked bearded warriors, cast about 460–450 BC [1] that were found in the sea in 1972 near Riace, Calabria, in southern Italy. The bronzes are now in the Museo Nazionale della Magna ...
Laurence Edwards (born 1967 in Suffolk) is a British sculptor, best known for experimenting with a lost wax casting process to create Bronze statues. Edwards’ works are stored in an art gallery in Wiltshire.
Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, [1] and was the country's pre-eminent art foundry during the American Renaissance (ca. 1876-1917). [citation needed]
The Lost Wax. Christ of St. John of the Cross (also known as The Lost Wax) is a sculpture by Salvador Dalí created in 1979 as the model for a series of platinum, gold, silver, and bronze reliefs. The original wax sculpture and the reliefs created from it are three-dimensional iterations of Dalí's 1951 painting, Christ of Saint John of the ...
This sculptural interest evolved to Surrealism, exploration of her Brazilian - Amazonian roots, and bronze casting under the teaching of Jacques Lipchitz. [4] Lipchitz introduced Martins to bronze casting using the Egyptian lost-wax casting technique, which she evolved by adding fat to the wax to increase the detail in her bronze sculptures.
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