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Italian fascism believed that the success of Italian nationalism required a clear sense of a shared past amongst the Italian people along with a commitment to a modernized Italy. [9] In a famous speech in 1926, Mussolini called for fascist art that was "traditionalist and at the same time modern, that looks to the past and at the same time to ...
The Italian Fascist style was also greatly influenced by the rationalist movement in Italy in the 1920s. Rationalist architecture, with the help of Italian government support, celebrated the new fascist age of culture and government in Italy. [14] Some today consider it a second Italian Renaissance. [15]
Mario Sironi, Italy Between the Arts and Sciences, 1935 Detail showing the restored Fascist iconography. Italy Between the Arts and Sciences is a mural from 1935 created by the Italian modernist painter Mario Sironi. It forms the backdrop to the stage in the Great Hall of Sapienza University of Rome. Combining elements of both classical and ...
It identifies modern Italy as the heir to the Roman Empire and Italy during the Renaissance and promotes the cultural identity of Romanitas ("Roman-ness"). [55] Italian Fascism historically sought to forge a strong Italian Empire as a "Third Rome", identifying ancient Rome as the "First Rome" and Renaissance-era Italy as the "Second Rome". [55]
Unlike Adolf Hitler and the Nazi Party, who openly attacked modern architecture and art on both stylistic and racial grounds, denigrating its practitioners as decadent if not actually communists or Jews, Fascism had been since its early inception closely linked to avant-garde artistic movements, such as Futurism. Many of Italy's best artists ...
The movement's members held various political beliefs but shared a belief in active, effective opposition to fascism, compared to the older Italian anti-fascist parties. Giustizia e Libertà also made the international community aware of the realities of fascism in Italy, thanks to the work of Gaetano Salvemini.
Italian police on Wednesday raided the homes of 24 people under investigation for promoting fascism during a gathering at a restaurant in the Jewish quarter of Ferrara during which they lauded ...
Its leaders were of a Catholic origin and the party was strongly based on Italian fascism. During the pre-war period, it never established a prominent position like Mussert's NSB. After the German invasion in May 1940, the number of members rose from 4,000 to 12,000.