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A tile design by William de Morgan, 1872 (Victoria & Albert Museum). The majority of literary allusions to the fable have contrasted the passivity of King Log with the energetic policy of King Stork, but it was pressed into the service of political commentary in the title "King Stork and King Log: at the dawn of a new reign", a study of Russia written in 1895 by the political assassin Sergey ...
The frog addresses these from the bank or, in the case of Samuel Howitt (1810, see above), from a marshy tussock. Later artists portray the frog as a huckster performing in front of a cluster of bystanders, as in the case of J. M. Condé (1905), [15] Arthur Rackham (1912), [16] John Vernon Lord (1989) [17] and Arlene Graston (2016). [18]
The fable was a favourite in England and was put to popular use on 18th century china by the Fenton pottery [13] and in the 19th century by the Wedgwood pottery. This was on its Aesop series of coloured plates, signed by Emile Lessore in the 1860s. [14] Minton's pottery also used the fable on a series of Aesop tiles a little later.
This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
Aesop (left) as depicted by Francis Barlow in the 1687 edition of Aesop's Fables with His Life. Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE.
Takeda's study began as an attempt to find the origin of a more recent hybrid tale with elements of both Aesop's fable and the Eastern analogue. In this, it is a frog that is asked by the scorpion to carry it across the water. To allay the frog's suspicions, the scorpion argues that this would be safe since, if he stung the frog, both would drown.
The poem was also issued as a propaganda pamphlet under the title of The Frog, or the Low Countrey Nightingale during the Second Anglo-Dutch War. A similar claim was made, using the same fable, during the Franco-Dutch War of 1672-8 in a European pamphlet war encompassing publications in Latin, French, Spanish and Italian. [ 8 ]
The Fable of Fox and Heron is an oil painting by Frans Snyders depicting the story from Aesop's Fable. It was created in Antwerp sometime between 1630 and 1640, [ 1 ] the painting is a composite of two stories, "The Fable of the Fox and Heron (or stork)" and "The Frogs who asked for a King". [ 2 ]