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ne padaj mi na maline, ružo rumena! Maline su još zelene, maline su još zelene. Kad maline budu zrele, goro zelena, kad maline budu zrele, ružo rumena. I same će opadati, i same će opadati, kao suze devojačke, goro zelena, devojačke i momačke, ružo rumena! Ој, голубе, мој голубе, ој, голубе, мој голубе,
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
Though it is called a major scale, it is typically played over a C13 (♭ 9) (♯ 11) (also F ♯ major over C) dominant chord. [2] This is an enharmonic mode of B Harmonic Minor (A# & C# in B Harmonic Minor, Bb & Db in C Romanian Major), along with D Harmonic Major (C# in G Harmonic Major, Db in C Romanian Major).
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
In contrast, a chord is in open harmony (also called open position or open structure [1]) if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
Catarrhal Noise is a thrash/comedy metal band from Noale, Veneto, Italy.. The band was founded in September 1994, when Albyzzo and Ruzo (later known as Bullo) chose the name after a deep search inside an English dictionary.
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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).