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Used today with the Crystal Hi-Hats and Crashes of the Signature series. Unlathed cymbals: Introduced in 1980 as the RUDE series. Made from the B8 alloy, unlathed cymbals were marketed towards louder music styles as punk and heavy metal. Inverted bell on China cymbal: Introduced in 1983 as
The final product was a melted down Paiste's Signature bronze custom cast cymbals. [16] [17] Danny Carey used the kit during the Lateralus 2002 tour and during some drum clinics through the years. Only three versions of this kit were ever created. Carey and Carl Palmer each own one, while the third resides at Paiste's Switzerland headquarters.
Thompson has endorsed Ludwig Drums (1970-March, 1977), Pearl Drums (April, 1977 – July, 1987), Sonor Drums (1990–1999) and Paiste cymbals (1970–90); he has endorsed DW Drums since 2000 and Sabian cymbals since 1990. He uses Remo drumheads, Meinl Percussion, Gibraltar racks and has his own Regaltip Chester Thompson signature drumstick.
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
Paiste Signature cymbals: 16" power crash; 17" power crash; 18" power crash; 18" full crash; 22" power ride; 14" heavy hi-hat/sound-edge hi-hat. Yamaha Phoenix (PHX) in Silver Sparkles: (Since the U2360 tour. Previously he used Yamaha's Maple Custom and Beech Custom drums in the same sizes). [42]
Bell-less ride cymbals, known as flat rides, have a dry crash and clear stick definition. Quieter, they are popular in jazz drumming. Developed by Paiste in the 1960s, flat rides are used by notable drummers Roy Haynes, Jack DeJohnette, Paul Wertico, Carter Beauford, Jo Jones and Charlie Watts. [citation needed]
Examples include Paiste Signatures, Traditionals and Dark Energy. Paiste calls this Signature Bronze or Sound Formula. For a time, Paiste produced no bell metal cymbals, but now produces high-end cymbals of both this alloy and bell bronze. Since then, other manufactures followed the lead and implemented lines of high tin sheet metal alloy.
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