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"That's All Right"or "That's Alright" [1] is a blues song adapted by Chicago blues singer and guitarist Jimmy Rogers. He recorded it in 1950 with Little Walter on harmonica. . Although based on earlier blues songs, music writer John Collis calls Rogers' rendition "one of the most tuneful and instantly memorable of all variations on the basic blues format
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
"Too Many Drivers" is a blues song recorded by Big Bill Broonzy in 1939. It is performed in an acoustic ensemble-style of early Chicago blues and the lyrics use double entendre often found in hokum-style blues songs. The song has been identified as one of Broonzy's more popular tunes and has been recorded over the years by a variety of artists ...
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. [1] Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.
"Crosscut Saw", or "Cross Cut Saw Blues" as it was first called, is a hokum-style song "that must have belonged to the general repertoire of the Delta blues". [1] Mississippi bluesman Tommy McClennan 's recording of the song was released in 1941 and has since been interpreted by many blues artists.
"Big Ten Inch Record", also known as "Big Ten-Inch (Record of the Blues)", [1] is a rhythm and blues song written by Fred Weismantel. It was first recorded in 1952 by Bull Moose Jackson and released by King Records, originally on 10" vinyl, the most popular format at the time.
"It Hurts Me Too" is a blues standard, regarded as one of the most interpreted songs in the genre. [2] First recorded in 1940 by Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.
"Trouble in Mind" is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano first recorded it in 1924 and in 1926, Bertha "Chippie" Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong.
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