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The Sigma 24mm F1.4 DG HSM Art is an interchangeable wide angle lens for full frame cameras. It was announced by Sigma Corporation on February 10, 2015. A full two stops faster than most 24mm primes, it is designed to capture wide angle imagery with shallow depth of field, as one might with a medium or large format camera.
Nikon G, Sigma/Tamron/Tokina: no designation: The lens is not fitted with an aperture ring, and is thus incompatible with most old Nikon film SLR bodies. [1] All G-type lenses are also D-type. All IF: The lens utilises an internal focus mechanism, which does not extend or rotate the front optical element.
Sigma 24mm f/1.8 EX DG lens; Sigma 24mm F1.4 DG HSM Art; Sigma 30mm f/1.4 EX DC HSM lens; Sigma 35 mm f/1.4 DG HSM lens; Sigma 50-500mm f/4-6.3 DG lens; Sigma 50mm f/1.4 DG HSM A lens; Sigma 50mm f/1.4 EX DG HSM lens; Sigma 60-600mm f/4.5-6.3 DG OS HSM lens; Sigma 70-200mm f/2.8 EX DG OS HSM lens; Sigma 70-300mm f/4–5.6 APO DG Macro lens ...
860 mm 2 area Full-frame digital SLR format, with sensor dimensions nearly equal to those of 35 mm film (36×24 mm) from Pentax, Panasonic, Leica, Nikon, Canon, Sony and Sigma. 370 mm 2 area APS-C standard format from Nikon , Pentax , Sony , Fujifilm , Sigma (crop factor 1.5) (actual APS-C film is bigger, however)
The Sigma 24mm f/1.8 EX DG is wide-angle lens which features a fast f/1.8 maximum aperture for use in low-light situations, and macro focusing capability to a reproduction ratio of 1:2.7. It uses aspherical lens elements.
It has since been surpassed by the Canon EF 11-24mm f/4L zoom lens and the Irix 11mm f/4, a manual focus prime lens. [2] The Sigma 12-24 has low distortion even compared to less wide zooms like the Canon EF 16-35mm lens. [3] This lens is available in Canon, Nikon, and Sigma, Pentax, and Sony mounts.
Sigma has made a number of film SLR cameras, including the SA-300, SA-5, SA-7 and SA-9. Their latest consumer digital SLR is the SD15.During photokina 2010, Sigma announced a new flagship DSLR camera, the SD1.
[1] [2] According to the same standards, the "Number of Effective Pixels" that an image sensor or digital camera has is the count of pixel sensors that contribute to the final image (including pixels not in said image but nevertheless support the image filtering process), as opposed to the number of total pixels, which includes unused or light ...
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