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Starr's version of the song was used as the basis for a cover version by Ugly Rumours, a group formed by Tony Blair while at university. The song was released by the Stop the War Coalition and credited to Ugly Rumours, with the band being fronted by a lookalike of Blair. It peaked at number 21 on the UK Singles Chart in March 2007.
Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the same year Buffalo Springfield had become the house band at the ...
Richard Thompson, famous for often dark and gloomy themes in his music, released an album in 2003 titled The Old Kit Bag. [citation needed] In John Dickson Carr's 1951 novel The Devil in Velvet, the protagonist — a WWI veteran — hears the song in a nightmare of his war experiences: "He heard a great noise of voices singing to music. It was ...
Spam (gaming), the repetition of an in-game action "Spam" (Monty Python sketch), a comedy sketch "Spam", a song on the album It Means Everything (1997), by Save Ferris "Spam", a song by "Weird Al" Yankovic on the album UHF – Original Motion Picture Soundtrack and Other Stuff
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
The German version is a song against the war. Freddy Quinn sings the song from the point of view of a reluctant but forced soldier, [citation needed] Heidi Brühl from the point of view of the crying girlfriend of the soldier. [citation needed] Freddy Quinn's version was later recorded by Welle: Erdball and also by Cryptic Wintermoon.
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Soldiers stationed in Vietnam, listening to the song in June 1970, were undecided on whether the song was meant to protest the war itself or was "mocking a 'bad image' that many helicopter pilots and gunners feel they have acquired unfairly in the course of the war." [1] Music historian Justin Brummer, editor of the Vietnam War Song Project ...