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A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir. The portrayal of women in film noir, and more specifically the term “femme fatale”, has been a topic of intrigue and fascination for decades. The ...
Phyllis Dietrichson (Phyllis Nirdlinger in the book) is a fictional character in the book and two film adaptations of James M. Cain's novella Double Indemnity. For the 1944 film of the same name, Barbara Stanwyck was nominated for the Academy Award for Best Actress. The character is considered one of the best femme fatale roles in film noir ...
Film noir was a film movement that dominated the mid to early-20th century space in Hollywood history and popularised the use of the femme fatale trope. It established an intersection of "freedom, fascination and erotic intrigue" [ 10 ] with the identity of a woman, an ideal that was conducive to its popularity in the context of a burgeoning ...
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Born to Kill is a rare film noir in that it is shown through a woman's eyes. This female subjectivity enables a more nuanced view of the femme fatale, a central motif in film noir, rather than that which is typical of the genre. Although the archetypical film noir femme fatale's sexuality is often merely a tool to manipulate men for material ...
Mildred Pierce is a 1945 American melodrama film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain , this was Crawford's first starring role for Warner Bros. after leaving Metro-Goldwyn-Mayer .
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Ladies in Retirement is a 1941 American film noir directed by Charles Vidor and starring Ida Lupino, Louis Hayward and Evelyn Keyes. It was produced and distributed by Columbia Pictures . Lupino and Hayward were married at the time.
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