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The phrase "Indonesian literature" is used in this article to refer to Indonesian as written in the nation of Indonesia, but also covers literature written in an earlier form of the language, i.e. the Malay language written in the Dutch East Indies. Oral literature, though a central part of the Indonesian literary tradition, is not described here.
Njanji Soenji (Republican Spelling: Njanji Sunji; Perfected Spelling: Nyanyi Sunyi; Indonesian for "Songs of Solitude" or "Songs of Silence") is a 1937 poetry collection by Amir Hamzah. Written some time after the poet was forced to marry the daughter of the Sultan of Langkat instead of his chosen love in Java , this collection consists of 24 ...
The emergence of various literary styles in the period 1950-1965 can not be separated from the existence of cultural polemic in Indonesia. In the midst of an ideological war going on, came the cultural institutions that represent each of the main competing ideologies.
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In History of Modern Indonesian Literature, Teeuw wrote that modern Indonesian literature began in 1920, with the Indonesian National Awakening. He argued that Indonesian literature, despite the country only becoming independent on 17 August 1945, was born with the concept of a united Indonesia. Teeuw further divided Indonesian literature into ...
The Indonesian literature published between 1933 and 1942 is sometimes described as from the "Poedjangga Baroe generation", a reference to the publication's dominance. [48] Translator and literary critic Burton Raffel described the magazine as a "midwife to a literary revolution", noting that the political revolution in the 1940s was likely ...
In 1960 he published an academic work regarding the Indonesian language and literature, entitled Kedudukan Bahasa dan Sastra Indonesia (The Position of the Indonesian Language and Literature). [2] Usman graduated from the University of Indonesia in 1961 with a degree in literature before formally earning his teacher's diploma the following year ...
Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [2] Bakri Siregar wrote positively of Salah Asuhan, considering the diction unparalleled in its contemporaries and the characters well fleshed-out. [3]