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In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
20th-century classical music is art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had ...
The following Wikipedia articles deal with 20th-century music. Western art music. Main articles. 20th-century classical music; ...
Igor Stravinsky, one of the most important and influential composers of the twentieth century. Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.
Women music journalists in the twentieth century who covered classic music performance include Ruth Scott Miller of the Chicago Tribune (1920-1921), Henriette Weber at the Chicago Herald-Examiner, and Claudia Cassidy, who worked for Chicago Journal of Commerce (1924–1941), the Chicago Sun (1941–42) and the Chicago Tribune (1942–65). [2]
In Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26. New York: Routledge. ISBN 0-8153-3820-1 Reprinted from Current Musicology no. 66 (Spring 1999): 7–20. Meyer, Leonard B. (1994). Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture (2nd ed.). Chicago and London: University ...
Arnold Schoenberg or Schönberg [a] (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motives as a means of coherence.
In the 20th century, a line of development of musical progress continued; every composer still known today has contributed something to it. This old longing for progress and modernity – through conscious separation from tradition and convention – can, however, take on a fetish-like character in Western society, which is shaped by science and technology.