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  2. Oshibana - Wikipedia

    en.wikipedia.org/wiki/Oshibana

    As early as the 16th century, samurai were said to have created oshibana as one of their disciplines to promote patience, harmony with nature and powers of concentration. [citation needed] Similarly, as botanists in Europe began systematic collection and preservation of specimens, art forms with the pressed plant materials developed, particularly during the Victorian era.

  3. Nanban art - Wikipedia

    en.wikipedia.org/wiki/Nanban_art

    Azuchi–Momoyama period, 16th century, Kyushu National Museum. Nanban art (南蛮美術) refers to Japanese art of the sixteenth and seventeenth centuries influenced by contact with the Nanban (南蛮) or 'Southern barbarians', traders and missionaries from Europe and specifically from Portugal. It is a Sino-Japanese word, Chinese Nánmán ...

  4. Cypress Trees - Wikipedia

    en.wikipedia.org/wiki/Cypress_Trees

    Cypress Trees (檜図, hinoki-zu) is a Kanō-school byōbu or folding screen attributed to the Japanese painter Kanō Eitoku (1543–1590), one of the most prominent patriarchs of the Kanō school of Japanese painting. The painting dates to the Azuchi–Momoyama period (1573–1615).

  5. Sengoku period - Wikipedia

    en.wikipedia.org/wiki/Sengoku_period

    Japan in the late 16th century The three unifiers of Japan: from left to right: Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu In and around the Kinai , the most politically important region in Japan, Oda Nobunaga allied with Tokugawa Ieyasu to increase his power.

  6. Japanese art - Wikipedia

    en.wikipedia.org/wiki/Japanese_art

    The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished.

  7. Shōrin-zu byōbu - Wikipedia

    en.wikipedia.org/wiki/Shōrin-zu_byōbu

    The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...

  8. Category:16th-century Japanese artists - Wikipedia

    en.wikipedia.org/wiki/Category:16th-century...

    16th-century Japanese calligraphers (5 P) P. 16th-century Japanese painters (13 P) Pages in category "16th-century Japanese artists" The following 9 pages are in this ...

  9. Kanō Mitsunobu - Wikipedia

    en.wikipedia.org/wiki/Kanō_Mitsunobu

    Momoyama, Japanese Art in the Age of Grandeur, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Kanō Mitsunobu Bridge of dreams: the Mary Griggs Burke collection of Japanese art , a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which ...

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