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The Symphony No. 3 in E ♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony; German: Eroica, pronounced [eˈʁoːikaː] ⓘ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative ...
The theme was a favourite of Beethoven's. He had used it in the finale of the ballet music he composed for The Creatures of Prometheus (1801), as well as for the seventh of his 12 Contredanses, WoO 14 (1800-02), before being the subject of the variations of this work and of the later symphony. [1] It begins thus:
The third movement incorporates a funeral march, clearly anticipating the watershed of the Eroica Symphony that Beethoven wrote in 1803–1804. This is the only movement from his sonatas that Beethoven arranged for orchestra, and was played during Beethoven's own funeral procession in 1827. [1]
Strauss began work on the piece while staying in a Bavarian mountain resort in July 1898. He proposed to write a heroic work in the mould of Beethoven's Eroica Symphony: "It is entitled 'A Hero's Life', and while it has no funeral march, it does have lots of horns, horns being quite the thing to express heroism. Thanks to the healthy country ...
Symphony No. 3 , analysis and discography at AllMusic. Retrieved 7 August 2015. Retrieved 7 August 2015. Archived copy of Eric Grunin's Eroica Discography (2007)
The Eroica Variations (Variations and Fugue for Piano in E♭ major, Opus 35, 1802), by Ludwig van Beethoven; Transcendental Étude No. 7 in E-flat, "Eroica" (1837), by Franz Liszt; The Internet Symphony No. 1 — Eroica, by Tan Dun for the YouTube Symphony Orchestra; The Eroica Trio, an American chamber music ensemble; Eroica, an album by ...
Beethoven's Eroica funeral march is one of the first great concert pieces of its kind. At the beginning of the nineteenth century, Beethoven adhered to the ideals of the Revolution and borrowed the theme of heroic death from the composers of the revolutionary era, from which he drew inspiration in several works destined to reverberate their ...
The quotation from the funeral march of Beethoven's Eroica Symphony with the words "In Memoriam!" has also raised speculation. The Eroica theme is motivically related to one of the main themes of Metamorphosen, but Strauss wrote that the connection did not occur to him until he was almost finished. There are several theories about how and why ...