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"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
The text was adapted from the "An die Freude (Ode to Joy)", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven. In the 20th century, an instrumental arrangement of the chorus was adopted by the Council of Europe , and later the European Union , as the Anthem of Europe .
The Anthem of Europe or European Anthem, also known as Ode to Joy, is a piece of instrumental music adapted from the prelude of the final movement of Beethoven's 9th Symphony composed in 1823, originally set to words adapted from Friedrich Schiller's 1785 poem "Ode to Joy".
This page was last edited on 19 July 2017, at 21:29 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
Dozens of Ukrainian refugees from choirs around Switzerland converged in the city of Lucerne on Saturday near a global summit to sing Beethoven's "Ode to Joy", a choral work they say embodies ...
Beethoven's Ninth incorporates part of the ode An die Freude ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony. [a]
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
"Emerald City" is a 1967 song by The Seekers about a visit to the fictional Emerald City from L. Frank Baum's Oz books. Set to the tune of "Ode to Joy" from Beethoven's Ninth Symphony, "Emerald City" reached #50 on the UK Charts in 1967.
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