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Bambino Gesù di Praga (lit. ' Child Jesus of Praga ') is a Roman Catholic image of the Child Jesus venerated by the Genoese faithful. [1]The image takes its iconography from a painting of Infant Jesus of Prague which was brought by the Carmelite Order who wanted to propagate its devotion in the area.
The Infant Jesus of Mechelen (French: l'Enfant Jésus de Malines) is an unadorned 16th-century wooden image depicting the Child Jesus holding a globus cruciger and imparting a blessing. It is now in the Louvre Museum in Paris, as a typical representative of a type of image produced in considerable numbers in 16th-century Mechelen (Malines, in ...
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
The Infant Jesus of Prague (Czech: Pražské Jezulátko: Spanish: Niño Jesús de Praga) is a 16th-century wax-coated wooden statue of the Child Jesus holding a globus cruciger of Spanish origin, now located in the Discalced Carmelite Church of Our Lady of Victories in Malá Strana, Prague, Czech Republic.
The Santo Bambino of Aracœli ("Holy Child of Aracœli"), sometimes known as the Bambino Gesù di Aracœli ("Child Jesus of Aracœli") is a 15th-century Roman Catholic devotional replicated wooden image enshrined in the titular Basilica of Santa Maria in Aracoeli, depicting the Child Jesus [1] swaddled in golden fabric, wearing a crown, and adorned with various gemstones and jewels donated by ...
The Virgin and Child with Saint Anne is an unfinished oil painting by High Renaissance artist Leonardo da Vinci, dated to c. 1501–1519. [n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him.
A new form of the image, which from the rare early versions seems to have been formulated in 6th-century Palestine, was to set the essential form of Eastern Orthodox images down to the present day. The setting is now a cave – or rather the specific Cave of the Nativity in Bethlehem, already underneath the Church of the Nativity , and well ...
At the same time, it was said that a child came to the trapped miners, gave them water and showed them the way out of the mine. Whenever there was a problem at the mine the child helped the miners in need. Each time this happened, the image of the child on the Virgin's arms was found to be dirty and his clothes had little holes in them.