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Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
In German Baroque music it occurs in J. S. Bach's ornament tables as a stressed appoggiatura, indicated by a half circle or "C" in front of a note. This ornament was continued in French Baroque ornament tables. [1] [2] Accent und Trillo, German, used mainly by J.S. Bach, a trill prepared by an accented note. Generally indicated by a trill sign ...
A cadential trill is a trill associated with each cadence. A groppo or gruppo is a specific type of cadential trill which alternates with the auxiliary note directly above it and ends with a musical turn as additional ornamentation. [3] [4] A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. [5]
2. Kentucky Blues Music Festival – Mt. Vernon, Kentucky. With headliners Tee Dee Young, Rachel Crowe Band and Donovan Howard Trio. Dates: June 22 Tickets: FREE Website:kentuckymusichalloffame ...
This article is within the scope of WikiProject Music theory, a collaborative effort to improve the coverage of music theory, theory terminology, music theorists, and musical analysis on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.
' coloring ', from Latin colorare 'to color') [1] is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material, [1] [2] or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura. [3] Its instrumental equivalent is ornamentation.
In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11] He states that the three-note slide is used primarily on the strong beat.
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