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The Canadian-born, England-based businessman viewed war art not only as a form of historical documentation, but also an expression of national identity. [2] He provided leadership in creating the Canadian War Records Office in London in early 1916. Initially, the First World War was documented primarily using photography and film.
After the war he became chief designer at the Canadian Government Exhibition Commission, and finally chief of design and displays for the National Museums of Canada. He also contributed to the Canadian Pavilion at Expo 67. [3] When he retired in 1975, Wood embarked with five artist friends on a series of painting expeditions to Newfoundland.
The museum has been invested in several Canadian war art programs since 1971, after the National Gallery of Canada handed over management of the Canadian War Memorial Fund, and over 5,000 works from its Canadian War Records Collections to the war museum; [71] including all of its war art from the Second World War. [72]
After working at the Art Association of Montreal, Ogilvie joined the Canadian army in 1940 and was commissioned as the first Official War artist in 1942. Attached to the 1st Canadian Division, he made the first significant art work in an active theatre of war, nearly always under fire. From 1943 on, he was in Sicily, mainland Italy and ...
Most of the works submitted were by artists already serving with the military. In 1919, the CFAP displayed works in Toronto, New York, London and Montréal. These works are now located in the Canadian War Museum, the National Gallery of Canada and the Senate of Canada. [2] Another art program, the Canadian War Records Program, was started in 1942.
Simpson was one of the first group of "official war artists"—Lord Beaverbrook arranged for Simpson, along with Frederick Varley, J.W. Beatty and Maurice Cullen to be sent overseas to record Canada's participation in the conflict. [2] Simpson was a member of the Royal Canadian Academy of Arts. [3]
After the war, Comfort served on the Board of Directors and various committees at the Art Gallery of Toronto, and was Director of the National Gallery of Canada from 1959 until 1965. During his time as the Director of the National Gallery of Canada, he helped the National Gallery of Canada move into the Lorne building in 1960. [ 9 ]
Paul Goranson (April 27, 1911 – August 3, 2002) was an official Canadian war artist with the Royal Canadian Air Force and was noted for the exactness of his pictures and the fearless way he worked under fire during World War II. [1]